Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

March 07, 2009

Let's Take Some Time to Listen to a Classic

Since I'm still pretty crabbed about yesterday's dilemma, I decided to annoy the visitors of my blog with four different renditions of the not-quite-popular-but-known tune of The Flower Duet from Léo Delibes' opera Lakmé (playback may be delayed depending on connection speed).

Yes, dears... it's a piece of classical vocal music from the 19th century and it has several versions interpretted by many modern artists. You've probably heard it from some TV commercials as well.

First in my playlist is Charlotte Church's version, followed by a more robust performance by Katherine Jenkins. The third track is a more melodic recording from one Sarah Millington, arranged for a rather slow tempo. Finally, to jazz up the list, we have a more contemporary arrangement from Dream Aria - this is my favorite.

Just in case you wanted to sing along, or just find out what in the world they're singing, read on...

Under the thick dome, where the white jasmine
With the rose gathers,
To the flowered river bank, with morning laughter,
Come, let us go down together.

Gently let us slip from the pleasant rising flow,
Let us follow the fleeting current
In the shimmering stream,
Without any care,
Come, let us reach the bank,
Where the spring waters slumber
And the bird, the bird, she sings.

Under the thick dome where the white jasmine
Ah! We descend
Together!

But I don't know what sudden dread,
takes me over, when my father goes alone,
to their cursed town,
I tremble, I tremble of fear!
So the god Ganesa protects him,
Up to where the source runs joyful,
The swans with wings of snow,
let us go gather the blue lotus,
near the swans with wings of snow,
let us gather the blue lotus.

Under the thick dome where the white jasmine
Ah! We descend
Together! Under the thick dome where white jasmine
With the roses entwined together
On the river bank covered with flowers laughing in the morning

Let us descend together
Gently floating on its charming risings,
On the river’s current
On the shining waves,
One hand reaches,
Reaches for the bank,
Where the spring sleeps,
And the bird, the bird sings.

Under the thick dome where the white jasmine
Ah! We descend
Together!
Sous le dôme épais, où le blanc jasmin
À la rose s’assemble
Sur la rive en fleurs, riant au matin
Viens, descendons ensemble.

Doucement glissons de son flot charmant
Suivons le courant fuyant
Dans l’onde frémissante
D’une main nonchalante
Viens, gagnons le bord,
Où la source dort
Et l’oiseau, l’oiseau chante.

Sous le dôme épais
Où le blanc jasmin,
Ah! descendons
Ensemble!

Mais, je ne sais quelle crainte subite,
S’empare de moi,
Quand mon père va seul
A leur ville maudite
Je tremble, je tremble d’effroi!
Pour que le dieu Ganesa le protége
Jusque’a l’étang ou s’ebattent joyeux
Les cygnes aux ailes de neige
Allons cueillir les lotus bleus
Ou, pres des cygnes aux ailes de neige
Allons cueillir les lotus bleus.

Sous le dôme épais
Où le blanc jasmin
À la rose s’assemble
Sur la rive en fleurs
Riant au matin
Viens, descendons ensemble.

Doucement glissons de son flot charmant,
Suivons le courant fuyant
Dans l’onde frémissante
D’une main nonchalante
Viens, gagnons le bord
Où la source dort et
L’oiseau, l’oiseau chante.

Sous le dôme épais
Où le blanc jasmin,
Ah! descendons
Ensemble!

Text to the Flower Duet from Wikipedia.

November 17, 2008

A First Christmas Album for Sarah Brightman

I must say it's quite exciting to hear that Sarah Brightman has released her very first Christmas Album. Although it takes it's name from her highest chart debuting album "Symphony" which was released early this year, this Holiday CD dubbed "A Winter Symphony" is not really an extension of the blockbuster former album. As with most of Sarah's previous albums, this one banks on almost-excessive productions featuring symphony orchestras, session players, and a multitude of choirs. It may seem overproduced but therein lies the charm of Brightman's albums as these productions show her originality and her virtuosity in song styling.

The album includes several season favorites like Silent Night, In the Bleak Midwinter, and Child in a Manger. Of course, there's the usual selection of Classical pieces including her third rendition of Ave Maria - this time sung with Fernando Lima (there's also a Charles Gounod Version of Ave Maria in the album); a new classical piece, Carpe Diem, is a duet with Mario Frangoulis; and there's "Jesu, Joy of Man's Desiring", a transcription by Pianist Myra Hess of the chorale that ends each part of Bach's cantata Herz und Mund Tat und Leben.

There are also a number of contemporary Pop tunes. A cover version of Abba's originally-instrumental song, Arrival, opens the album. Another cover song is "Colder than Winter", a 1984 song by Vince Gill - this might be the first cover of this song, ever (but then i might be wrong about that). There's also a slightly over-indulged reading of Neil Diamond's 1975 hit "I've Been this Way Before". I particularly like Brightman's rendition of the traditional song "Amazing Grace" - not sure if it's a Christmas song, though i think it'll pass as one.

In all it's grandeur, though, this set does not project any particular feeling, contemplative, nor inspiring. It's definitely not a jolly Christmas album, but it's not very expressive either. Still, it's a good audio experience just hearing the crystalline voice of Sarah Brightman accompanied by great production.

October 07, 2008

Les moulins de mon cœur

Round,
Like a circle in a spiral
Like a wheel within a wheel,
Never ending or beginning,
On an ever-spinning reel
Like a snowball down a mountain,
Or a carnival balloon
Like a carousel that's turning
Running rings around the moon

Like a clock whose hands are sweeping
Past the minutes on its face
And the world is like an apple
Spinning silently in space
Like the circles that you find
In the windmills of your mind!

Like a tunnel that you follow
To a tunnel of its own
Down a hollow to a cavern
Where the sun has never shone
Like a door that keeps revolving
In a half-forgotten dream
Like the ripples from a pebble
Someone tosses in a stream.

Like a clock whose hands are sweeping
Past the minutes on its face
And the world is like an apple
Spinning silently in space
Like the circles that you find
In the windmills of your mind!

Keys that jingle in your pocket
Words that jangle in your head
Why did summer go so quickly?
Was it something that I said?
Lovers walk along a shore and
Leave their footprints in the sand
Was the sound of distant drumming
Just the fingers of your hand?

Pictures hanging in a hallway
or the fragment of a song,
half-remembered names and faces
but to whom do they belong?
When you knew that it was over
Were you suddenly aware
That the autumn leaves were turning
To the color of her hair?

Like a circle in a spiral
Like a wheel within a wheel
Never ending or beginning
On an ever-spinning reel
As the images unwind
Like the circles that you find
In the windmills of your mind